| Seattle International Film Festival | |
|---|---|
Director Kathryn Bigelow with SIFF Artistic Director Carl Spence - Photo by Matt Daniels |
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| Location | Seattle, Washington, USA |
| Language | International |
| Official website | |
The Seattle International Film Festival (SIFF), held annually in Seattle, Washington since 1976, is among the top film festivals in North America. Audiences have grown steadily; the 2006 festival had 160,000 attendees.[1] In recent years, the SIFF has run for more than three weeks (24 days), in May/June, and features a diverse assortment of predominantly independent and foreign films and, in recent years, a strong contingent of documentaries.
SIFF 2006 included 300+ films and was the first SIFF to include a venue in neighboring Bellevue, Washington, after an ill-fated early attempt. However, in 2008, the festival was back to being entirely in Seattle, and had a slight decrease in the number of feature films. The 2010 festival featured over 400 films, shown primarily in downtown Seattle and its nearby neighborhoods, but also in West Seattle, Everett, Kirkland, and Juanita Beach Park.[2]
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The festival began in 1976 at a then-independent cinema, the Moore Egyptian Theater, now back under its earlier name as the Moore Theater and functioning as a concert venue. When founders Dan Ireland and Darryl Macdonald of the Moore Egyptian lost their lease, they founded the Egyptian theater in a former Masonic Temple on Seattle's Capitol Hill. The Egyptian theater remains a prime festival venue to this day, although the festival now typically uses about half a dozen cinemas (including, since 2007, its own SIFF Cinema at Seattle Center), with the exact roster varying from year to year.
During the 1980s, SIFF audiences developed a reputation for appreciating films that did not fit standard industry niches, such as Richard Rush's multi-layered The Stunt Man (1980). SIFF was instrumental in the entry of Dutch films into the United States market, including the first major American success for director Paul Verhoeven.
The festival includes a sidebar that is unique among major film festivals: a four-film "Secret Festival". Those who attend the Secret Festival do not know in advance what they will see, and they must sign an oath that they will not reveal afterwards what they have seen.
In general, SIFF has a reputation as an "audience festival" rather than an "industry festival".[3] The festival often partially overlaps the Cannes Film Festival, which can reduce attendance by industry bigwigs; in 2007 there were two days of overlap, May 24 and 25.
The SIFF group also curates the Global Lens film series, the Screenwriters Salon, and Futurewave (K-12 programming and youth outreach), coordinates SIFF-A-Go-Go travel programs (organized tours to other film festivals), and co-curates the 1 Reel Film Feastival at Bumbershoot and the Sci-Fi Shorts Film Festival at the Science Fiction Museum and Hall of Fame.[1]
In 2006, Longhouse Media launched the SuperFly Filmmaking Experience, in partnership with the Seattle International Film Festival, which brings youth together from diverse backgrounds to work collaboratively on film projects that promote awareness of indigenous issues and mutual understanding of each others cultures. Fifty youth from across the United States arrive in Seattle to then travel to a local Pacific Northwest reservation to create 4 films in 36 hours.
November 28, 2006, SIFF and Seattle mayor Greg Nickels announced that SIFF will soon have a home and a year-round screening facility in what has been the Nesholm Family Lecture Hall of McCaw Hall, the same building at Seattle Center that houses the Seattle Opera. The city contributed $150,000 to the $350,000 project. This auditorium is now a "flagship venue" for SIFF festivals[1] and the site of most press screenings.
Since 1985, the Seattle International Film Festival has awarded the Golden Space Needle award each year to the festival's most popular movie. Ballots are cast by audience members at the end of each movie. Previous winners of the Golden Space Needle include Whale Rider for 2003, Trainspotting for 1996 and Kiss of the Spider Woman for 1985.
| Year | New Director Award | New American Cinema Award | Best Documentary |
|---|---|---|---|
| 2007[4] | Eric Richter Strand (Sons, Norway) | Shotgun Stories (Jeff Nichols, USA) | Harald Freidl, (Out of Time, Austria) |
| Year | Short film awards - Narrative short |
Short film awards - Animated short |
Short film awards - Documentary short |
|---|---|---|---|
| 2007[4] | Wigald, Timon Modersohn (Germany) | Everything Will Be OK, Don Hertzfeldt (USA) | Chocolate Country, Robin Blotnick (Dominican Republic / USA) |
Among the films that have received North American or world premieres at SIFF are